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ISMIR 2021

Full Proceedings

Proceedings of the 22nd International Society for Music Information Retrieval Conference
Online, Nov 7-12, 2021 (ISBN: 978-1-7327299-0-2)
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Papers

Four-way Classification of Tabla Strokes with Models Adapted from Automatic Drum Transcription 19-26
Rohit M A, Amitrajit Bhattacharjee, Preeti Rao
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A Contextual Latent Space Model: Subsequence Modulation in Melodic Sequence 27-34
Taketo Akama
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OMR-assisted transcription: a case study with early prints 35-41
María Alfaro-Contreras, David Rizo, Jose M. Inesta, Jorge Calvo-Zaragoza
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Deeper Convolutional Neural Networks and Broad Augmentation Policies Improve Performance in Musical Key Estimation 42-49
Stefan A Baumann
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The Music Performance Markup Format and Ecosystem 50-57
Axel Berndt
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Identification of rhythm guitar sections in symbolic tablatures 58-65
Louis Bigo, David Regnier, Nicolas Martin
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On-Line Audio-to-Lyrics Alignment Based on a Reference Performance 66-73
Charles Brazier, Gerhard Widmer
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Visualizing Intertextual Form with Arc Diagrams: Contour and Schema-based Methods 74-80
Aaron Carter-Enyi, Gilad Rabinovitch, Nathaniel Condit-Schultz
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Unsupervised Domain Adaptation for Document Analysis of Music Score Images 81-87
Francisco J. Castellanos, Antonio-Javier Gallego, Jorge Calvo-Zaragoza
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Codified audio language modeling learns useful representations for music information retrieval 88-96
Rodrigo Castellon, Chris Donahue, Percy Liang
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Variable-Length Music Score Infilling via XLNet and Musically Specialized Positional Encoding 97-104
Chin-Jui Chang, Chun-Yi Lee, Yi-Hsuan Yang
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SurpriseNet: Melody Harmonization Conditioning on User-controlled Surprise Contours 105-112
Yi-Wei Chen, Hung-Shin Lee, Yen-Hsing Chen, Hsin-Min Wang
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Semi-supervised violin fingering generation using variational autoencoders 113-120
Vincent K.M. Cheung, Hsuan-Kai Kao, Li Su
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Listen, Read, and Identify: Multimodal Singing Language Identification of Music 121-127
Keunwoo Choi, Yuxuan Wang
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On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features 128-134
Shreyan Chowdhury, Gerhard Widmer
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Cosine Contours: a Multipurpose Representation for Melodies 135-142
Bas Cornelissen, Willem Zuidema, John Ashley Burgoyne
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Controllable deep melody generation via hierarchical music structure representation 143-150
Shuqi Dai, Zeyu Jin, Celso Gomes, Roger Dannenberg
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MSTRE-Net: Multistreaming Acoustic Modeling for Automatic Lyrics Transcription 151-158
Emir Demirel, Sven Ahlbäck, Simon Dixon
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Towards Automatic Instrumentation by Learning to Separate Parts in Symbolic Multitrack Music 159-166
Hao-Wen Dong, Chris Donahue, Taylor Berg-Kirkpatrick, Julian Mcauley
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An Empirical Evaluation of End-to-End Polyphonic Optical Music Recognition 167-173
Sachinda Edirisooriya, Hao-Wen Dong, Julian Mcauley, Taylor Berg-Kirkpatrick
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A Hardanger Fiddle Dataset with Performances Spanning Emotional Expressions and Annotations Aligned using Image Registration 174-181
Anders Elowsson, Olivier Lartillot
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Building the MetaMIDI Dataset: Linking Symbolic and Audio Musical Data 182-188
Jeffrey Ens, Philippe Pasquier
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Modeling and Inferring Proto-Voice Structure in Free Polyphony 189-196
Christoph Finkensiep, Martin A Rohrmeier
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PKSpell: Data-Driven Pitch Spelling and Key Signature Estimation 197-204
Francesco Foscarin, Nicolas Audebert, Raphael Fournier-S’Niehotta
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Filosax: A Dataset of Annotated Jazz Saxophone Recordings 205-212
Dave Foster, Simon Dixon
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An interpretable music similarity measure based on path interestingness 213-219
Giovanni Gabbolini, Derek Bridge
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Leveraging Hierarchical Structures for Few-Shot Musical Instrument Recognition 220-228
Hugo F Flores Garcia, Aldo Aguilar, Ethan Manilow, Bryan Pardo
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What if the ‘When’ Implies the ‘What’?: Human harmonic analysis datasets clarify the relative role of the separate steps in automatic tonal analysis 229-236
Mark R H Gotham, Rainer Kleinertz, Christof Weiss, Meinard Müller, Stephanie Klauk
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Let’s agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition 237-245
Juan S. Gómez-Cañón, Estefania Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gomez
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Sequence-to-Sequence Piano Transcription with Transformers 246-253
Curtis Hawthorne, Ian Simon, Rigel Swavely, Ethan Manilow, Jesse Engel
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Neural Waveshaping Synthesis 254-261
Ben Hayes, Charalampos Saitis, Gyorgy Fazekas
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A semi-automated workflow paradigm for the distributed creation and curation of expert annotations 262-269
Johannes Hentschel, Fabian C. Moss, Markus Neuwirth, Martin A Rohrmeier
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BeatNet: CRNN and Particle Filtering for Online Joint Beat, Downbeat and Meter Tracking 270-277
Mojtaba Heydari, Frank Cwitkowitz, Zhiyao Duan
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Joint Estimation of Note Values and Voices for Audio-to-Score Piano Transcription 278-284
Yuki Hiramatsu, Eita Nakamura, Kazuyoshi Yoshii
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Learning note-to-note affinity for voice segregation and melody line identification of symbolic music data 285-292
Yo-Wei Hsiao, Li Su
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VOCANO: A note transcription framework for singing voice in polyphonic music 293-300
Jui-Yang Hsu, Li Su
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De-centering the West: East Asian Philosophies and the Ethics of Applying Artificial Intelligence to Music 301-309
Rujing Huang, Bob L. T. Sturm, Andre Holzapfel
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A Benchmarking Initiative for Audio-domain Music Generation using the FreeSound Loop Dataset 310-317
Tun Min Hung, Bo-Yu Chen, Yen Tung Yeh, Yi-Hsuan Yang
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EMOPIA: A Multi-Modal Pop Piano Dataset For Emotion Recognition and Emotion-based Music Generation 318-325
Hsiao-Tzu Hung, Joann Ching, Seungheon Doh, Nabin Kim, Juhan Nam, Yi-Hsuan Yang
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Piano Sheet Music Identification Using Marketplace Fingerprinting 326-333
Kevin Ji, Daniel Yang, Timothy Tsai
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Learning a cross-domain embedding space of vocal and mixed audio with a structure-preserving triplet loss 334-341
Keunhyoung Kim, Jongpil Lee, Sangeun Kum, Juhan Nam
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Decoupling Magnitude and Phase Estimation with Deep ResUNet for Music Source Separation 342-349
Qiuqiang Kong, Yin Cao, Haohe Liu, Keunwoo Choi, Yuxuan Wang
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Artist Similarity Using Graph Neural Networks 350-357
Filip Korzeniowski, Sergio Oramas, Fabien Gouyon
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“Finding Home”: Understanding How Music Supports Listeners’ Mental Health through a Case Study of BTS 358-365
Jin Ha Lee, Arpita Bhattacharya, Ria Antony, Nicole Santero, Anh Le
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Cross-cultural Mood Perception in Pop Songs and its Alignment with Mood Detection Algorithms 366-373
Harin Lee, Frank Höger, Marc Schönwiesner, Minsu Park, Nori Jacoby
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Reconsidering quantization in MIR 374-380
Jordan Lenchitz
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A unified model for zero-shot music source separation, transcription and synthesis 381-388
Liwei Lin, Gus Xia, Qiuqiang Kong, Junyan Jiang
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Pitch-Informed Instrument Assignment using a Deep Convolutional Network with Multiple Kernel Shapes 389-395
Carlos Lordelo, Emmanouil Benetos, Simon Dixon, Sven Ahlbäck
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SpecTNT: a Time-Frequency Transformer for Music Audio 396-403
Wei-Tsung Lu, Ju-Chiang Wang, Minz Won, Keunwoo Choi, Xuchen Song
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AugmentedNet: A Roman Numeral Analysis Network with Synthetic Training Examples and Additional Tonal Tasks 404-411
Néstor Nápoles López, Mark R H Gotham, Ichiro Fujinaga
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MINGUS: Melodic Improvisation Neural Generator Using Seq2Seq 412-419
Vincenzo Madaghiele, Pasquale Lisena, Raphael Troncy
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User-centered evaluation of lyrics-to-audio alignment 420-427
Ninon Lizé Masclef, Andrea Vaglio, Manuel Moussallam
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Synthesizer Sound Matching with Differentiable DSP 428-434
Naotake Masuda, Daisuke Saito
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A Modular System for the Harmonic Analysis of Musical Scores using a Large Vocabulary 435-442
Andrew Mcleod, Martin A Rohrmeier
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A deep learning method for enforcing coherence in Automatic Chord Recognition 443-451
Gianluca Micchi, Katerina Kosta, Gabriele Medeot, Pierre Chanquion
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Modeling beat uncertainty as a 2D distribution of period and phase: a MIR task proposal 452-459
Martin A Miguel, Diego Fernandez Slezak
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A case study of deep enculturation and sensorimotor synchronization to real music 460-467
Olof Misgeld, Torbjörn L Gulz, Jūra Miniotaitė, Andre Holzapfel
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Symbolic Music Generation with Diffusion Models 468-475
Gautam Mittal, Jesse Engel, Curtis Hawthorne, Ian Simon
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Learning from Musical Feedback with Sonic the Hedgehog 476-483
Faraaz Nadeem
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DarkGAN: Exploiting Knowledge Distillation for Comprehensible Audio Synthesis With GANs 484-492
Javier Nistal, Stefan Lattner, Gaël Richard
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Phase-Aware Joint Beat and Downbeat Estimation Based on Periodicity of Metrical Structure 493-499
Takehisa Oyama, Ryoto Ishizuka, Kazuyoshi Yoshii
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Agreement Among Human and Automated Transcriptions of Global Songs 500-508
Yuto Ozaki, John M Mcbride, Emmanouil Benetos, Peter Pfordresher, Joren Six, Adam Tierney, Polina Proutskova, Emi Sakai, Haruka Kondo, Haruno Fukatsu, Shinya Fujii, Patrick E. Savage
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Automatic Recognition of Texture in Renaissance Music 509-516
Emilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner, Bjorn W. Schuller, Markus Schedl
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Is Disentanglement enough? On Latent Representations for Controllable Music Generation 517-524
Ashis Pati, Alexander Lerch
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Pulse clarity metrics developed from a deep learning beat tracking model 525-530
Nicolás Pironio, Diego Fernandez Slezak, Martin A Miguel
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On the Veracity of Local, Model-agnostic Explanations in Audio Classification: Targeted Investigations with Adversarial Examples 531-538
Verena Praher, Katharina Prinz, Arthur Flexer, Gerhard Widmer
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Is there a “language of music-video clips” ? A qualitative and quantitative study 539-546
Laure Prétet, Gaël Richard, Geoffroy Peeters
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Tabla Gharana Recognition from Audio music recordings of Tabla Solo performances 547-554
Gowriprasad R, Venkatesh V, Hema A Murthy, R Aravind, Sri Rama Murty K
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Navigating noise: Modeling perceptual correlates of noise-related semantic timbre categories with audio features 555-561
Lindsey Reymore, Emmanuelle Beauvais-Lacasse, Bennett Smith, Stephen Mcadams
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Quantitative User Perceptions of Music Recommendation List Diversity 562-568
Kyle Robinson, Dan Brown
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A Formal Model of Extended Tonal Harmony 569-578
Martin A Rohrmeier, Fabian C. Moss
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CRASH: Raw Audio Score-based Generative Modeling for Controllable High-resolution Drum Sound Synthesis 579-585
Simon Rouard, Gaëtan Hadjeres
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Curriculum Learning for Imbalanced Classification in Large Vocabulary Automatic Chord Recognition 586-593
Luke O Rowe, George Tzanetakis
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Deep Embeddings and Section Fusion Improve Music Segmentation 594-601
Justin Salamon, Oriol Nieto, Nicholas J. Bryan
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Multi-Task Learning of Graph-based Inductive Representations of Music Content 602-609
Antonia Saravanou, Federico Tomasi, Rishabh Mehrotra, Mounia Lalmas
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DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models 610-617
Pedro Pereira Sarmento, Adarsh Kumar, Cj Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang
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Does Track Sequence in User-generated Playlists Matter? 618-625
Harald Victor Schweiger, Emilia Parada-Cabaleiro, Markus Schedl
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A Differentiable Cost Measure for Intonation Processing in Polyphonic Music 626-633
Simon J Schwär, Sebastian Rosenzweig, Meinard Müller
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Improving Music Performance Assessment With Contrastive Learning 634-641
Pavan M Seshadri, Alexander Lerch
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Tracing Affordance and Item Adoption on Music Streaming Platforms 642-649
Dougal Shakespeare, Camille Roth
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Computational analysis and modeling of expressive timing in Chopin’s Mazurkas 650-656
Zhengshan Shi
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Computational analysis of melodic mode switching in raga performance 657-664
Nithya Nadig Shikarpur, Asawari Keskar, Preeti Rao
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SinTra: Learning an inspiration model from a single multi-track music segment 665-672
Qingwei Song, Qiwei Sun, Dongsheng Guo, Haiyong Zheng
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Contrastive Learning of Musical Representations 673-681
Janne Spijkervet, John Ashley Burgoyne
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Musical Tempo Estimation Using a Multi-scale Network 682-689
Xiaoheng Sun, Qiqi He, Gao Yongwei, Wei Li
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On the Integration of Language Models into Sequence to Sequence Architectures for Handwritten Music Recognition 690-696
Pau Torras, Arnau Baró, Lei Kang, Alicia Fornés
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Kiite Cafe: A Web Service for Getting Together Virtually to Listen to Music 697-704
Kosetsu Tsukuda, Keisuke Ishida, Masahiro Hamasaki, Masataka Goto
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Toward an Understanding of Lyrics-viewing Behavior While Listening to Music on a Smartphone 705-713
Kosetsu Tsukuda, Masahiro Hamasaki, Masataka Goto
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The Words Remain the Same: Cover Detection with Lyrics Transcription 714-721
Andrea Vaglio, Romain Hennequin, Manuel Moussallam, Gael Richard
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MuseBERT: Pre-training Music Representation for Music Understanding and Controllable Generation 722-729
Ziyu Wang, Gus Xia
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Supervised Metric Learning For Music Structure Features 730-737
Ju-Chiang Wang, Jordan B. L. Smith, Wei-Tsung Lu, Xuchen Song
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Learning long-term music representations via hierarchical contextual constraints 738-745
Shiqi Wei, Gus Xia
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Learning Pitch-Class Representations from Score-Audio Pairs of Classical Music 746-753
Christof Weiss, Johannes Zeitler, Tim Zunner, Florian Schuberth, Meinard Müller
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Training Deep Pitch-Class Representations With a Multi-Label CTC Loss 754-761
Christof Weiss, Geoffroy Peeters
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Audio Defect Detection in Music with Deep Networks 762-768
Daniel Wolff, Remi Mignot, Axel Roebel
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Semi-supervised Music Tagging Transformer 769-776
Minz Won, Keunwoo Choi, Xavier Serra
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Emotion Embedding Spaces for Matching Music to Stories 777-785
Minz Won, Justin Salamon, Nicholas J. Bryan, Gautham Mysore, Xavier Serra
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CollageNet: Fusing arbitrary melody and accompaniment into a coherent song 786-793
Abudukelimu Wuerkaixi, Christodoulos Benetatos, Zhiyao Duan, Changshui Zhang
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Human-in-the-Loop Adaptation for Interactive Musical Beat Tracking 794-801
Kazuhiko Yamamoto
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Composer Classification With Cross-Modal Transfer Learning and Musically-Informed Augmentation 802-809
Daniel Yang, Timothy Tsai
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Aligning Unsynchronized Part Recordings to a Full Mix Using Iterative Subtractive Alignment 810-817
Daniel Yang, Kevin Ji, Timothy Tsai
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ADTOF: A large dataset of non-synthetic music for automatic drum transcription 818-824
Mickael Zehren, Marco Alunno, Paolo Bientinesi
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Learn by Referencing: Towards Deep Metric Learning for Singing Assessment 825-832
Huan Zhang, Yiliang Jiang, Tao Jiang, Hu Peng
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AccoMontage: Accompaniment Arrangement via Phrase Selection and Style Transfer 833-840
Jingwei Zhao, Gus Xia
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