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ISMIR 2003

Papers

A multiple feature model for musical similarity retrieval.
E. Allamanche, Jürgen Herre, Oliver Hellmuth, T. Kastner, C. Ertel

Automatic synchronization of music data in score-, MIDI- and PCM-format.
Vlora Arifi, Michael Clausen, Frank Kurth, Meinard Müller

Analysis of queries to a Wizard-of-Oz MIR system: Challenging assumptions about what people really want.
David Bainbridge, Sally Jo Cunningham, J. Stephen Downie

A large-scale evalutation of acoustic and subjective music similarity measures.
Adam Berenzweig, Beth Logan, Daniel P. W. Ellis, Brian Whitman

Determining context-defining windows: Pitch spelling using the spiral array.
Elaine Chew, Yun-Ching Chen

The MUSART testbed for query-by-humming evaluation.
Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo

The Sheet Music Consortium: A Specialized Open Archives Initiative harvester project.
Stephen Davison

An auditory model based transriber of vocal queries.
Tom De Mulder, Jean-Pierre Martens, Micheline Lesaffre, Marc Leman, Bernard De Baets

Classification of dance music by periodicity patterns.
Simon Dixon, Elias Pampalk, Gerhard Widmer

Position Indexing of Adjacent and Concurrent N-Grams for Polyphonic Music Retrieval.
Shyamala Doraisamy, Stefan M. Rüger

Toward the scientific evaluation of music information retrieval systems.
J. Stephen Downie

Application of missing feature theory to the recognition of musical instruments in polyphonic audio.
Jana Eggink, Guy J. Brown

Automatic labeling of tabla signals.
Olivier Gillet, Gaël Richard

Music scene description project: Toward audio-based real-time music understanding.
Masataka Goto

RWC Music Database: Music genre database and musical instrument sound database.
Masataka Goto, Hiroki Hashiguchi, Takuichi Nishimura, Ryuichi Oka

Automatic segmentation, learning and retrieval of melodies using a self-organizing neural network.
S. Harford

Three-dimensional continuous DP algorithm for multiple pitch candidates in a music information retrieval system.
Sung-Phil Heo, Motoyuki Suzuki, Akinori Ito, Shozo Makino

Discovering musical pattern through perceptual heuristics.
Olivier Lartillot

The C-BRAHMS project.
Kjell Lemström, Veli Mäkinen, Anna Pienimäki, M. Turkia, Esko Ukkonen

The MAMI query-by-voice experiment: collecting and annotating vocal queries for music information retrieval.
Micheline Lesaffre, Koen Tanghe, Gaëtan Martens, Dirk Moelants, Marc Leman, Bernard De Baets, Hans De Meyer, Jean-Pierre Martens

Detecting emotion in music.
Tao Li, Mitsunori Ogihara

Automatic mood detection from acoustic music data.
Dan Liu, Lie Lu, HongJiang Zhang

The importance of cross database evaluation in musical instrument sound classification: A critical approach.
Arie Livshin, Xavier Rodet

An SVM-based classification approach to musical audio.
Namunu Chinthaka Maddage, Changsheng Xu, Ye Wang

Features for audio and music classification.
Martin F. McKinney, Jeroen Breebaart

The dangers of parsimony in query-by-humming applications.
Colin Meek, William P. Birmingham

Chopin early editions: The construction and usage of a collection of digital scores.
T. Olson, S. J. Downie

Building Chopin Early Editions [Presentation].
Tod A. Olson

An HMM-based pitch tracker for audio queries.
Nicola Orio, M. Sisti Sette

Exploring music collections by browsing different views.
Elias Pampalk, Simon Dixon, Gerhard Widmer

Rhythmic similarity through elaboration.
R. Mitchell Parry, Irfan A. Essa

Effects of song familiarity, singing training and recent song exposure on the singing of melodies.
Steffen Pauws

Digital Sheet Music – The Danish Collaborative Project.
Charlotte Pedersen

Key-specific shrinkage techniques for harmonic models.
Jeremy Pickens

Harmonic analysis with probabilistic graphical models.
Christopher Raphael, Josh Stoddard

Using morphological description for generic sound retrieval.
Julien Ricard, Perfecto Herrera

Design patterns in XML music representation.
P. Roland

Music Notation as a MEI Feasability Test.
B. Schwartz

I Found It, How Can I Use It?” – Dealing With the Ethical and Legal Constraints of Information Access.
Anthony Seeger

Music identification by leadsheets: Converging perceptive and productive musical principles for estimation of semantic similarity of musical documents.
Frank Seifert, Wolfgang Benn

Chord segmentation and recognition using EM-trained hidden markov models.
Alexander Sheh, Daniel P. W. Ellis

Effectiveness of HMM-based retrieval on large databases.
Jonah Shifrin, William P. Birmingham

Improving polyphonic and poly-instrumental music to score alignment.
Ferréol Soulez, Xavier Rodet, Diemo Schwarz

Automatic rhythm transcription from multiphonic MIDI signals.
Haruto Takeda, Takuya Nishimoto, Shigeki Sagayama

Blind clustering of popular music recordings based on singer voice characteristics.
Wei-Ho Tsai, Hsin-Min Wang, Dwight Rodgers, Shih-Sian Cheng, Hung-Ming Yu

Ground-truth transcriptions of real music from force-aligned MIDI syntheses.
Robert J. Turetsky, Daniel P. W. Ellis

Using transportation distances for measuring melodic similarity.
Rainer Typke, Panos Giannopoulos, Remco C. Veltkamp, Frans Wiering, René van Oostrum

A scalable peer-to-peer system for music content and information retrieval.
George Tzanetakis, Jun Gao, Peter Steenkiste

Was Parsons right? An experiment in usability of music representations for melody-based music retrieval.
Alexandra L. Uitdenbogerd, Yaw Wah Yap

Geometric algorithms for transposition invariant content based music retrieval.
Esko Ukkonen, Kjell Lemström, Veli Mäkinen

An Industrial Strength Audio Search Algorithm.
Avery Wang

Quantitative comparisons into content-based music recognition with the self organising map.
Gavin Wood, Simon O’Keefe