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ISMIR 2010

Full Proceedings

Papers

A Comparative Evaluation of Algorithms for Discovering Translational Patterns in Baroque Keyboard Works.
Tom Collins, Jeremy Thurlow, Robin C. Laney, Alistair Willis, Paul H. Garthwaite

A Multi-Perspective Evaluation Framework for Chord Recognition.
Verena Konz, Meinard Müller, Sebastian Ewert

A Probabilistic Approach to Merge Context and Content Information for Music Retrieval.
Riccardo Miotto, Nicola Orio

A Probabilistic Subspace Model for Multi-instrument Polyphonic Transcription.
Graham Grindlay, Daniel P. W. Ellis

A Segmentation-based Tempo Induction Method.
Maxime Le Coz, Hélène Lachambre, Lionel Koenig, Régine André-Obrecht

AMUSE (Advanced MUSic Explorer) – A Multitool Framework for Music Data Analysis.
Igor Vatolkin, Wolfgang M. Theimer, Martin Botteck

An Improved Hierarchical Approach for Music-to-symbolic Score Alignment.
Cyril Joder, Slim Essid, Gaël Richard

An Improved Query by Singing/Humming System Using Melody and Lyrics Information.
Chung-Che Wang, Jyh-Shing Roger Jang, Wennen Wang

An Interchange Format for Optical Music Recognition Applications.
Andrew Hankinson, Laurent Pugin, Ichiro Fujinaga

Are Tags Better Than Audio? The Effect of Joint Use of Tags and Audio Content Features for Artistic Style Clustering.
Dingding Wang, Tao Li, Mitsunori Ogihara

Automated Music Slideshow Generation Using Web Images Based on Lyrics.
Shintaro Funasawa, Hiromi Ishizaki, Keiichiro Hoashi, Yasuhiro Takishima, Jiro Katto

Automatic Characterization of Digital Music for Rhythmic Auditory Stimulation.
Eric Humphrey

Automatic Mood Classification Using TF-IDF Based on Lyrics.
Menno van Zaanen, Pieter Kanters

Automatic Music Tagging With Time Series Models.
Emanuele Coviello, Luke Barrington, Antoni B. Chan, Gert R. G. Lanckriet

Autoregressive MFCC Models for Genre Classification Improved by Harmonic-percussion Separation.
Halfdan Rump, Shigeki Miyabe, Emiru Tsunoo, Nobutaka Ono, Shigeki Sagayama

Bass Playing Style Detection Based on High-level Features and Pattern Similarity.
Jakob Abeßer, Paul Bräuer, Hanna M. Lukashevich, Gerald Schuller

Beat Critic: Beat Tracking Octave Error Identification By Metrical Profile Analysis.
Leigh M. Smith

Boosting for Multi-Modal Music Emotion Classification.
Qi Lu, Xiaoou Chen, Deshun Yang, Jun Wang

Clustering Beat-Chroma Patterns in a Large Music Database.
Thierry Bertin-Mahieux, Ron J. Weiss, Daniel P. W. Ellis

What’s Hot? Estimating Country-specific Artist Popularity.
Markus Schedl, Tim Pohle, Noam Koenigstein, Peter Knees

Identifying Repeated Patterns in Music Using Sparse Convolutive Non-negative Matrix Factorization.
Ron J. Weiss, Juan Pablo Bello

Locating Tune Changes and Providing a Semantic Labelling of Sets of Irish Traditional Tunes.
Cillian Kelly, Mikel Gainza, David Dorran, Eugene Coyle

Approximate Note Transcription for the Improved Identification of Difficult Chords.
Matthias Mauch, Simon Dixon

Concurrent Estimation of Chords and Keys from Audio.
Thomas Rocher, Matthias Robine, Pierre Hanna, Laurent Oudre

Solving Misheard Lyric Search Queries Using a Probabilistic Model of Speech Sounds.
Hussein Hirjee, Daniel G. Brown

Collaborative Filtering Based on P2P Networks.
Noam Koenigstein, Gert R. G. Lanckriet, Brian McFee, Yuval Shavitt

Combined Audio and Video Analysis for Guitar Chord Identification.
Alex Hrybyk, Youngmoo E. Kim

Combining Chroma Features For Cover Version Identification.
Teppo E. Ahonen

Combining Features Reduces Hubness in Audio Similarity.
Arthur Flexer, Dominik Schnitzer, Martin Gasser, Tim Pohle

Computational Analysis of Musical Influence: A Musicological Case Study Using MIR Tools.
Nick Collins

Crowdsourcing Music Similarity Judgments using Mechanical Turk.
Jin Ha Lee

Decomposition Into Autonomous and Comparable Blocks: A Structural Description of Music Pieces.
Frédéric Bimbot, Olivier Le Blouch, Gabriel Sargent, Emmanuel Vincent

Discovering Metadata Inconsistencies.
Bruno Angeles, Cory McKay, Ichiro Fujinaga

Discovery of Contrapuntal Patterns.
Darrell Conklin, Mathieu Bergeron

Eigenvector-based Relational Motif Discovery.
Alberto Pinto

Evaluating the Genre Classification Performance of Lyrical Features Relative to Audio, Symbolic and Cultural Features.
Cory McKay, John Ashley Burgoyne, Jason Hockman, Jordan B. L. Smith, Gabriel Vigliensoni, Ichiro Fujinaga

Evaluation of a Score-informed Source Separation System.
Joachim Ganseman, Paul Scheunders, Gautham J. Mysore, Jonathan S. Abel

Evidence for Pianist-specific Rubato Style in Chopin Nocturnes.
Miguel Molina-Solana, Maarten Grachten, Gerhard Widmer

Fast vs Slow: Learning Tempo Octaves from User Data.
Jason Hockman, Ichiro Fujinaga

Geoshuffle: Location-Aware, Content-based Music Browsing Using Self-organizing Tag Clouds.
Scott Miller, Paul Reimer, Steven R. Ness, George Tzanetakis

Handling Repeats and Jumps in Score-performance Synchronization.
Christian Fremerey, Meinard Müller, Michael Clausen

Hierarchical Co-Clustering of Artists and Tags.
Jingxuan Li, Tao Li, Mitsunori Ogihara

State of the Art Report: Music Emotion Recognition: A State of the Art Review.
Youngmoo E. Kim, Erik M. Schmidt, Raymond Migneco, Brandon G. Morton, Patrick Richardson, Jeffrey J. Scott, Jacquelin A. Speck, Douglas Turnbull

Looking Through the “Glass Ceiling”: A Conceptual Framework for the Problems of Spectral Similarity.
Ioannis Karydis, Milos Radovanovic, Alexandros Nanopoulos, Mirjana Ivanovic

On the Applicability of Peer-to-peer Data in Music Information Retrieval Research.
Noam Koenigstein, Yuval Shavitt, Ela Weinsberg, Udi Weinsberg

A Cartesian Ensemble of Feature Subspace Classifiers for Music Categorization.
Thomas Lidy, Rudolf Mayer, Andreas Rauber, Pedro J. Ponce de León, Antonio Pertusa, José Manuel Iñesta Quereda

Improving the Generation of Ground Truths Based on Partially Ordered Lists.
Julián Urbano, Mónica Marrero, Diego Martín, Juan Lloréns

IBT: A Real-time Tempo and Beat Tracking System.
João Lobato Oliveira, Fabien Gouyon, Luis Gustavo Martins, Luís Paulo Reis

Improving Auto-tagging by Modeling Semantic Co-occurrences.
Riccardo Miotto, Luke Barrington, Gert R. G. Lanckriet

Improving Markov Model Based Music Piece Structure Labelling with Acoustic Information.
Jouni Paulus

Infinite Latent Harmonic Allocation: A Nonparametric Bayesian Approach to Multipitch Analysis.
Kazuyoshi Yoshii, Masataka Goto

Informed Source Separation of Orchestra and Soloist.
Yushen Han, Christopher Raphael

Is There a Relation Between the Syntax and the Fitness of an Audio Feature?.
Gabriele Barbieri, François Pachet, Mirko Degli Esposti, Pierre Roy

Islands of Gaussians: The Self Organizing Map and Gaussian Music Similarity Features.
Dominik Schnitzer, Arthur Flexer, Gerhard Widmer, Martin Gasser

It’s Time for a Song – Transcribing Recordings of Bell-playing Clocks.
Matija Marolt, Marieke Lefeber

Learning Features from Music Audio with Deep Belief Networks.
Philippe Hamel, Douglas Eck

Learning Similarity from Collaborative Filters.
Brian McFee, Luke Barrington, Gert R. G. Lanckriet

Characterization and Similarity in A Cappella Flamenco Cantes.
Joaquín Mora, Francisco Gómez, Emilia Gómez, Francisco Escobar-Borrego, José Miguel Díaz-Báñez

Melody Extraction from Polyphonic Audio Based on Particle Filter.
Seokhwan Jo, Chang D. Yoo

Multiple Pitch Transcription using DBN-based Musicological Models.
Stanislaw Andrzej Raczynski, Emmanuel Vincent, Frédéric Bimbot, Shigeki Sagayama

Modified Ais-based Classifier for Music Genre Classification.
Noor Azilah Draman, Campbell Wilson, Sea Ling

Monophonic Instrument Sound Segregation by Clustering NMF Components Based on Basis Similarity and Gain Disjointness.
Kazuma Murao, Masahiro Nakano, Yu Kitano, Nobutaka Ono, Shigeki Sagayama

Multiple Viewpoints Modeling of Tabla Sequences.
Parag Chordia, Avinash Sastry, Trishul Mallikarjuna, Aaron Albin

Music Genre Classification via Compressive Sampling.
Kaichun K. Chang, Jyh-Shing Roger Jang, Costas S. Iliopoulos

Sparse Multi-label Linear Embedding Within Nonnegative Tensor Factorization Applied to Music Tagging.
Yannis Panagakis, Constantine Kotropoulos, Gonzalo R. Arce

Learning Tags that Vary Within a Song.
Michael I. Mandel, Douglas Eck, Yoshua Bengio

Predicting High-level Music Semantics Using Social Tags via Ontology-based Reasoning.
Jun Wang, Xiaoou Chen, Yajie Hu, Tao Feng

Understanding Features and Distance Functions for Music Sequence Alignment.
Özgür Izmirli, Roger B. Dannenberg

A Multi-pass Algorithm for Accurate Audio-to-Score Alignment.
Bernhard Niedermayer, Gerhard Widmer

Accurate Real-time Windowed Time Warping.
Robert Macrae, Simon Dixon

Music Structure Discovery in Popular Music using Non-negative Matrix Factorization.
Florian Kaiser, Thomas Sikora

Musical Instrument Recognition using Biologically Inspired Filtering of Temporal Dictionary Atoms.
Steven K. Tjoa, K. J. Ray Liu

YAAFE, an Easy to Use and Efficient Audio Feature Extraction Software.
Benoît Mathieu, Slim Essid, Thomas Fillon, Jacques Prado, Gaël Richard

On the Use of Microblogging Posts for Similarity Estimation and Artist Labeling.
Markus Schedl

Parataxis: Morphological Similarity in Traditional Music.
Andre Holzapfel, Yannis Stylianou

Pitch Class Set Categories as Analysis Tools for Degrees of Tonality.
Aline K. Honingh, Rens Bod

Prediction of Time-varying Musical Mood Distributions from Audio.
Erik M. Schmidt, Youngmoo E. Kim

Quantifying the Benefits of Using an Interactive Decision Support Tool for Creating Musical Accompaniment in a Particular Style.
Ching-Hua Chuan, Elaine Chew

Query-by-conducting: An Interface to Retrieve Classical-music Interpretations by Real-time Tempo Input.
Akira Maezawa, Masataka Goto, Hiroshi G. Okuno

Querying Improvised Music: Do You Sound Like Yourself?.
Michael O. Jewell, Christophe Rhodes, Mark d’Inverno

Real-time Polyphonic Music Transcription with Non-negative Matrix Factorization and Beta-divergence.
Arnaud Dessein, Arshia Cont, Guillaume Lemaitre

Recognising Classical Works in Historical Recordings.
Tim Crawford, Matthias Mauch, Christophe Rhodes

Recognition of Variations Using Automatic Schenkerian Reduction.
Alan Marsden

Scalable Genre and Tag Prediction with Spectral Covariance.
James Bergstra, Michael I. Mandel, Douglas Eck

Similarity Measures for Chinese Pop Music Based on Low-level Audio Signal Attributes.
Chun-Man Mak, Tan Lee, Suman Senapati, Yu Ting Yeung, Wang-Kong Lam

Singing / Rap Classification of Isolated Vocal Tracks.
Daniel Gärtner

Singing Pitch Extraction by Voice Vibrato / Tremolo Estimation and Instrument Partial Deletion.
Chao-Ling Hsu, Jyh-Shing Roger Jang

SongWords: Exploring Music Collections Through Lyrics.
Dominikus Baur, Bartholomäus Steinmayr, Andreas Butz

String Quartet Classification with Monophonic Models.
Ruben Hillewaere, Bernard Manderick, Darrell Conklin

Supervised and Unsupervised Web Document Filtering Techniques to Improve Text-Based Music Retrieval.
Peter Knees, Markus Schedl, Tim Pohle, Klaus Seyerlehner, Gerhard Widmer

Symbol Classification Approach for OMR of Square Notation Manuscripts.
Carolina Ramirez, Jun Ohya

Tempo Induction Using Filterbank Analysis and Tonal Features.
Aggelos Gkiokas, Vassilios Katsouros, George Carayannis

The Standardized Variogram as a Novel Tool for Music Similarity Evaluation.
Simone Sammartino, Lorenzo J. Tardón, Cristina de la Bandera, Isabel Barbancho, Ana M. Barbancho

ThumbnailDJ: Visual Thumbnails of Music Content.
Ya-Xi Chen, René Klüber

Timbral Qualities of Semantic Structures of Music.
Rafael Ferrer, Tuomas Eerola

Towards More Robust Geometric Content-Based Music Retrieval.
Kjell Lemström

Tunepal – Disseminating a Music Information Retrieval System to the Traditional Irish Music Community.
Bryan Duggan, Brendan O’Shea

Universal Onset Detection with Bidirectional Long Short-Term Memory Neural Networks.
Florian Eyben, Sebastian Böck, Björn W. Schuller, Alex Graves

Unsupervised Accuracy Improvement for Cover Song Detection Using Spectral Connectivity Network.
Mathieu Lagrange, Joan Serrà

Users’ Relevance Criteria in Music Retrieval in Everyday Life: An Exploratory Study.
Audrey Laplante

Using jWebMiner 2.0 to Improve Music Classification Performance by Combining Different Types of Features Mined from the Web.
Gabriel Vigliensoni, Cory McKay, Ichiro Fujinaga

Vocalist Gender Recognition in Recorded Popular Music.
Björn W. Schuller, Christoph Kozielski, Felix Weninger, Florian Eyben, Gerhard Rigoll

When Lyrics Outperform Audio for Music Mood Classification: A Feature Analysis.
Xiao Hu, J. Stephen Downie

State of the Art Report: Audio-Based Music Structure Analysis.
Jouni Paulus, Meinard Müller, Anssi Klapuri

Music21: A Toolkit for Computer-Aided Musicology and Symbolic Music Data.
Michael Scott Cuthbert, Christopher Ariza

An Audio Processing Library for MIR Application Development in Flash.
Jeffrey J. Scott, Raymond Migneco, Brandon G. Morton, Christian M. Hahn, Paul J. Diefenbach, Youngmoo E. Kim

What Makes Beat Tracking Difficult? A Case Study on Chopin Mazurkas.
Peter Grosche, Meinard Müller, Craig Stuart Sapp

Upbeat and Quirky, With a Bit of a Build: Interpretive Repertoires in Creative Music Search.
Charlie Inskip, Andy MacFarlane, Pauline Rafferty

A Roadmap Towards Versatile MIR.
Emmanuel Vincent, Stanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama

Predicting Development of Research in Music Based on Parallels with Natural Language Processing.
Jacek Wolkowicz, Vlado Keselj