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ISMIR 2012

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Papers

Association Mining of Folk Music Genres and Toponyms.
Kerstin Neubarth, Izaro Goienetxea, Colin Johnson, Darrell Conklin
Structure-Based Audio Fingerprinting for Music Retrieval.
Peter Grosche, Joan Serrà, Meinard Müller, Josep Lluís Arcos
Professionally-produced Music Separation Guided by Covers.
Timothée Gerber, Martin Dutasta, Laurent Girin, Cédric Févotte
A Systematic Comparison of Music Similarity Adaptation Approaches.
Daniel Wolff, Sebastian Stober, Andreas Nürnberger, Tillman Weyde
Neon.js: Neume Editor Online.
Gregory Burlet, Alastair Porter, Andrew Hankinson, Ichiro Fujinaga
Modeling Chord and Key Structure with Markov Logic.
Hélène Papadopoulos, George Tzanetakis
Assigning a Confidence Threshold on Automatic Beat Annotation in Large Datasets.
José R. Zapata, Andre Holzapfel, Matthew E. P. Davies, João Lobato Oliveira, Fabien Gouyon
A MIREX Meta-analysis of Hubness in Audio Music Similarity.
Arthur Flexer, Dominik Schnitzer, Jan Schlueter
Discriminative Non-negative Matrix Factorization for Multiple Pitch Estimation.
Nicolas Boulanger-Lewandowski, Yoshua Bengio, Pascal Vincent
A Feature Relevance Study for Guitar Tone Classification.
Wolfgang Fohl, Andreas Meisel, Ivan Turkalj
String Methods for Folk Tune Genre Classification.
Ruben Hillewaere, Bernard Manderick, Darrell Conklin
Polyphonic Music Classification on Symbolic Data Using Dissimilarity Functions.
Yoko Anan, Kohei Hatano, Hideo Bannai, Masayuki Takeda, Ken Satoh
Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions.
Frédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent
The Impact of MIREX on Scholarly Research (2005 – 2010).
Sally Jo Cunningham, David Bainbridge, J. Stephen Downie
An Emotion Model for Music Using Brain Waves.
Rafael Cabredo, Roberto S. Legaspi, Paul Salvador Inventado, Masayuki Numao
Reducing Tempo Octave Errors by Periodicity Vector Coding And SVM Learning.
Aggelos Gkiokas, Vassilios Katsouros, George Carayannis
Context-free 2D Tree Structure Model of Musical Notes for Bayesian Modeling of Polyphonic Spectrograms.
Hirokazu Kameoka, Kazuki Ochiai, Masahiro Nakano, Masato Tsuchiya, Shigeki Sagayama
Compressing Music Recordings into Audio Summaries.
Oriol Nieto, Eric J. Humphrey, Juan Pablo Bello
Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic Music.
Mert Bay, Andreas F. Ehmann, James W. Beauchamp, Paris Smaragdis, J. Stephen Downie
Hypergraph Models of Playlist Dialects.
Brian McFee, Gert R. G. Lanckriet
Learning to Embed Songs and Tags for Playlist Prediction.
Joshua L. Moore, Shuo Chen, Thorsten Joachims, Douglas Turnbull
Extracting Semantic Information from an Online Carnatic Music Forum.
Mohamed Sordo, Joan Serrà, Gopala K. Koduri, Xavier Serra
A Survey on Music Listening and Management Behaviours.
Mohsen Kamalzadeh, Dominikus Baur, Torsten Möller
Automatic Music Transcription: Breaking the Glass Ceiling.
Emmanouil Benetos, Simon Dixon, Dimitrios Giannoulis, Holger Kirchhoff, Anssi Klapuri
Reuse, Remix, Repeat: the Workflows of MIR.
Kevin R. Page, Benjamin Fields, David De Roure, Tim Crawford, J. Stephen Downie
Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings.
Aggelos Pikrakis, Francisco Gómez, Sergio Oramas, José Miguel Díaz-Báñez, Joaquín Mora, Francisco Escobar-Borrego, Emilia Gómez, Justin Salamon
A Cross-version Approach for Stabilizing Tempo-based Novelty Detection.
Meinard Müller, Thomas Prätzlich, Jonathan Driedger
A Multimedia Search and Navigation Prototype, Including Music and Video-clips.
Geoffroy Peeters, Frédéric Cornu, Christophe Charbuillet, Damien Tardieu, Juan José Burred, Marie Vian, Valérie Botherel, Jean-Bernard Rault, Jean-Philippe Cabanal
Chord Recognition Using Duration-explicit Hidden Markov Models.
Ruofeng Chen, Weibin Shen, Ajay Srinivasamurthy, Parag Chordia
Unsupervised Chord-Sequence Generation from an Audio Example.
Katerina Kosta, Marco Marchini, Hendrik Purwins
Listening Level Changes Music Similarity.
Michael Terrell, György Fazekas, Andrew Simpson, Jordan B. L. Smith, Simon Dixon
Pitch Content Visualization Tools for Music Performance Analysis.
Luis Jure, Ernesto López, Martín Rocamora, Pablo Cancela, Haldo Sponton, Ignacio Irigaray
Separating Presentation and Content in MEI.
Laurent Pugin, Johannes Kepper, Perry Roland, Maja Hartwig, Andrew Hankinson
Influence of Peak Selection Methods on Onset Detection.
Carlos Rosão, Ricardo Ribeiro, David Martins de Matos
BLAST for Audio Sequences Alignment: A Fast Scalable Cover Identification Tool.
Benjamin Martin, Daniel G. Brown, Pierre Hanna, Pascal Ferraro
Multivariate Autoregressive Mixture Models for Music Auto-Tagging.
Emanuele Coviello, Yonatan Vaizman, Antoni B. Chan, Gert R. G. Lanckriet
Learning Sparse Feature Representations for Music Annotation and Retrieval.
Juhan Nam, Jorge Herrera, Malcolm Slaney, Julius O. Smith
Score Analyzer: Automatically Determining Scores Difficulty Level for Instrumental e-Learning.
Véronique Sébastien, Henri Ralambondrainy, Olivier Sébastien, Noël Conruyt
Digital Document Image Retrieval Using Optical Music Recognition.
Andrew Hankinson, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, Ichiro Fujinaga
Breathy or Resonant – A Controlled and Curated Dataset for Phonation Mode Detection in Singing.
Polina Proutskova, Christophe Rhodes, Geraint A. Wiggins, Tim Crawford
Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing.
Emilia Gómez, Francisco J. Cañadas-Quesada, Justin Salamon, Jordi Bonada, Pedro Vera-Candeas, Pablo Cabañas Molero