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ISMIR 2014

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On Cultural, Textual and Experiential Aspects of Music Mood.
Abhishek Singhi, Daniel G.Brown

Sparse Cepstral, Phase Codes for Guitar Playing Technique Classification.
Li Su, Li-Fan Yu, Yi-Hsuan Yang

Automated Detection of Single- and Multi-Note Ornaments in Irish Traditional Flute Playing.
Münevver Köküer, Peter Jancovic, Islah Ali-MacLachlan, Cham Athwal

The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and Development.
Bob L. Sturm, Nick Collins

Transfer Learning by Supervised Pre-training for Audio-based Music Classification.
Aäron van den Oord, Sander Dieleman, Benjamin Schrauwen

Estimating Musical Time Information from Performed MIDI Files.
Harald Grohganz, Michael Clausen, Meinard Müller

Estimation of the Direction of Strokes and Arpeggios.
Isabel Barbancho, George Tzanetakis, Lorenzo J. Tardón, Peter F. Driessen, Ana M. Barbancho

Predicting Expressive Dynamics in Piano Performances using Neural Networks.
Sam van Herwaarden, Maarten Grachten, W. Bas de Haas

An RNN-based Music Language Model for Improving Automatic Music Transcription.
Siddharth Sigtia, Emmanouil Benetos, Srikanth Cherla, Tillman Weyde, Artur S. d’Avila Garcez, Simon Dixon

Towards Modeling Texture in Symbolic Data.
Mathieu Giraud, Florence Levé, Florent Mercier, Marc Rigaudière, Donatien Thorez

Computational Models for Perceived Melodic Similarity in A Cappella Flamenco Singing.
Nadine Kroher, Emilia Gómez, Catherine Guastavino, Francisco Gómez, Jordi Bonada

The VIS Framework: Analyzing Counterpoint in Large Datasets.
Christopher Antila, Julie Cumming

Hierarchical Approach to Detect Common Mistakes of Beginner Flute Players.
Yoonchang Han, Kyogu Lee

Robust Joint Alignment of Multiple Versions of a Piece of Music.
Siying Wang, Sebastian Ewert, Simon Dixon

Formalizing the Problem of Music Description.
Bob L. Sturm, Rolf Bardeli, Thibault Langlois, Valentin Emiya

An Association-based Approach to Genre Classification in Music.
Tom Arjannikov, John Z. Zhang

Multiple Viewpiont Melodic Prediction with Fixed-Context Neural Networks.
Srikanth Cherla, Tillman Weyde, Artur S. d’Avila Garcez

Verovio: A library for Engraving MEI Music Notation into SVG.
Laurent Pugin, Rodolfo Zitellini, Perry Roland

Music Classification by Transductive Learning Using Bipartite Heterogeneous Networks.
Diego Furtado Silva, Rafael Geraldeli Rossi, Solange Oliveira Rezende, Gustavo Enrique De Almeida Prado Alves Batista

Automatic Melody Transcription based on Chord Transcription.
Antti Laaksonen

Audio-to-score Alignment at the Note Level for Orchestral Recordings.
Marius Miron, Julio José Carabias-Orti, Jordi Janer

A Compositional Hierarchical Model for Music Information Retrieval.
Matevz Pesek, Ales Leonardis, Matija Marolt

An Analysis and Evaluation of Audio Features for Multitrack Music Mixtures.
Brecht De Man, Brett Leonard, Richard L. King, Joshua D. Reiss

Detecting Drops in Electronic Dance Music: Content based approaches to a socially significant music event.
Karthik Yadati, Martha Larson, Cynthia C. S. Liem, Alan Hanjalic

Towards Automatic Content-Based Separation of DJ Mixes into Single Tracks.
Nikolay Glazyrin

MedleyDB: A Multitrack Dataset for Annotation-Intensive MIR Research.
Rachel M. Bittner, Justin Salamon, Mike Tierney, Matthias Mauch, Chris Cannam, Juan Pablo Bello

Melody Extraction from Polyphonic Audio of Western Opera: A Method based on Detection of the Singer’s Formant.
Zheng Tang, Dawn A. A. Black

Codebook-based Scalable Music Tagging with Poisson Matrix Factorization.
Dawen Liang, John William Paisley, Dan Ellis

Template Adaptation for Improving Automatic Music Transcription.
Emmanouil Benetos, Roland Badeau, Tillman Weyde, Gaël Richard

Note-level Music Transcription by Maximum Likelihood Sampling.
Zhiyao Duan, David Temperley

Drum Transcription via Classification of Bar-Level Rhythmic Patterns.
Lucas Thompson, Simon Dixon, Matthias Mauch

Developing Tonal Perception through Unsupervised Learning.
Carlos Eduardo Cancino Chacón, Stefan Lattner, Maarten Grachten

Exploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic Music.
Alessio Bazzica, Cynthia C. S. Liem, Alan Hanjalic

Multi-Strategy Segmentation of Melodies.
Marcelo Enrique Rodríguez-López, Anja Volk, Dimitrios Bountouridis

A Data Set for Computational Studies of Schenkerian Analysis.
Phillip B. Kirlin

Systematic Multi-scale Set-class Analysis.
Agustín Martorell, Emilia Gómez

Spotting a Query Phrase from Polyphonic Music Audio Signals Based on Semi-supervised Nonnegative Matrix Factorization.
Taro Masuda, Kazuyoshi Yoshii, Masataka Goto, Shigeo Morishima

Bayesian Audio Alignment based on a Unified Model of Music Composition and Performance.
Akira Maezawa, Katsutoshi Itoyama, Kazuyoshi Yoshii, Hiroshi G. Okuno

Automatic Set List Identification and Song Segmentation for Full-Length Concert Videos.
Ju-Chiang Wang, Ming-Chi Yen, Yi-Hsuan Yang, Hsin-Min Wang

On Inter-rater Agreement in Audio Music Similarity.
Arthur Flexer

Emotional Predisposition of Musical Instrument Timbres with Static Spectra.
Bin Wu, Andrew Horner, Chung Lee

Panako – A Scalable Acoustic Fingerprinting System Handling Time-Scale and Pitch Modification.
Joren Six, Marc Leman

Perceptual Analysis of the F-Measure to Evaluate Section Boundaries in Music.
Oriol Nieto, Morwaread M. Farbood, Tristan Jehan, Juan Pablo Bello

Keyword Spotting in A-capella Singing.
Anna M. Kruspe

The Importance of F0 Tracking in Query-by-singing-humming.
Emilio Molina, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho

Vocal Separation using Singer-Vowel Priors Obtained from Polyphonic Audio.
Shrikant Venkataramani, Nagesh Nayak, Preeti Rao, Rajbabu Velmurugan

Improving Query by Tapping via Tempo Alignment.
Chun-Ta Chen, Jyh-Shing Roger Jang, Chun-Hung Lu

Automatic Instrument Classification of Ethnomusicological Audio Recordings.
Dominique Fourer, Jean-Luc Rouas, Pierre Hanna, Matthias Robine

Music Analysis as a Smallest Grammar Problem.
Kirill A. Sidorov, Andrew Jones, A. David Marshall

Frame-Level Audio Segmentation for Abridged Musical Works.
Thomas Prätzlich, Meinard Müller

Creating a Corpus of Jingju (Beijing Opera) Music and Possibilities for Melodic Analysis.
Rafael Caro Repetto, Xavier Serra

Modeling Temporal Structure in Music for Emotion Prediction using Pairwise Comparisons.
Jens Madsen, Bjørn Sand Jensen, Jan Larsen

Musical Structural Analysis Database Based on GTTM.
Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo

Theoretical Framework of A Computational Model of Auditory Memory for Music Emotion Recognition.
Marcelo F. Caetano, Frans Wiering

Improving Music Structure Segmentation using lag-priors.
Geoffroy Peeters, Victor Bisot

Study of the Similarity between Linguistic Tones and Melodic Pitch Contours in Beijing Opera Singing.
Shuo Zhang, Rafael Caro Repetto, Xavier Serra

A Proximity Grid Optimization Method to Improve Audio Search for Sound Design.
Christian Frisson, Stéphane Dupont, Willy Yvart, Nicolas Riche, Xavier Siebert, Thierry Dutoit

Introducing a Dataset of Emotional and Color Responses to Music.
Matevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik, Matija Marolt

In-depth Motivic Analysis based on Multiparametric Closed Pattern and Cyclic Sequence Mining.
Olivier Lartillot

MIR_EVAL: A Transparent Implementation of Common MIR Metrics.
Colin Raffel, Brian McFee, Eric J. Humphrey, Justin Salamon, Oriol Nieto, Dawen Liang, Daniel P. W. Ellis

Computational Modeling of Induced Emotion Using GEMS.
Anna Aljanaki, Frans Wiering, Remco C. Veltkamp

Cognition-inspired Descriptors for Scalable Cover Song Retrieval.
Jan Van Balen, Dimitrios Bountouridis, Frans Wiering, Remco C. Veltkamp

A Cross-Cultural Study on the Mood of K-POP Songs.
Xiao Hu, Jin Ha Lee, Kahyun Choi, J. Stephen Downie

Cadence Detection in Western Traditional Stanzaic Songs using Melodic and Textual Features.
Peter van Kranenburg, Folgert Karsdorp

Discovering Typical Motifs of a Raga from One-Liners of Songs in Carnatic Music.
Shrey Dutta, Hema A. Murthy

Analyzing Song Structure with Spectral Clustering.
Brian McFee, Dan Ellis

Identifying Polyphonic Musical Patterns From Audio Recordings Using Music Segmentation Techniques.
Oriol Nieto, Morwaread M. Farbood

Boundary Detection in Music Structure Analysis using Convolutional Neural Networks.
Karen Ullrich, Jan Schlüter, Thomas Grill

Tracking the “Odd”: Meter Inference in a Culturally Diverse Music Corpus.
Andre Holzapfel, Florian Krebs, Ajay Srinivasamurthy

Transcription and Recognition of Syllable based Percussion Patterns: The Case of Beijing Opera.
Ajay Srinivasamurthy, Rafael Caro Repetto, Sundar Harshavardhan, Xavier Serra

Taste Space Versus the World: an Embedding Analysis of Listening Habits and Geography.
Joshua L. Moore, Thorsten Joachims, Douglas Turnbull

Enhancing Collaborative Filtering Music Recommendation by Balancing Exploration and Exploitation.
Zhe Xing, Xinxi Wang, Ye Wang

Improving Music Recommender Systems: What Can We Learn from Research on Music Tastes?
Audrey Laplante

Social Music in Cars.
Sally Jo Cunningham, David M. Nichols, David Bainbridge, Hassan Ali

A Combined Thematic and Acoustic Approach for a Music Recommendation Service in TV Commercials.
Mohamed Morchid, Richard Dufour, Georges Linarès

Are Poetry and Lyrics All That Different?
Abhishek Singhi, Daniel G. Brown

Singing-Voice Separation from Monaural Recordings using Deep Recurrent Neural Networks.
Po-Sen Huang, Minje Kim, Mark Hasegawa-Johnson, Paris Smaragdis

Impact of Listening Behavior on Music Recommendation.
Katayoun Farrahi, Markus Schedl, Andreu Vall, David Hauger, Marko Tkalcic

Towards Seamless Network Music Performance: Predicting an Ensemble’s Expressive Decisions for Distributed Performance.
Bogdan Vera, Elaine Chew

Detection of Motor Changes in Violin Playing by EMG Signals.
Ling-Chi Hsu, Yu-Lin Wang, Yi-Ju Lin, Cheryl D. Metcalf, Alvin W. Y. Su

Automatic Key Partition Based on Tonal Organization Information of Classical Music.
Wang-Kong Lam, Tan Lee

Bayesian Singing-Voice Separation.
Po-Kai Yang, Chung-Chien Hsu, Jen-Tzung Chien

Probabilistic Extraction of Beat Positions from a Beat Activation Function.
Filip Korzeniowski, Sebastian Böck, Gerhard Widmer

Geographical Region Mapping Scheme Based on Musical Preferences.
Sanghoon Jun, Seungmin Rho, Eenjun Hwang

On Comparative Statistics for Labelling Tasks: What can We Learn from MIREX ACE 2013?
John Ashley Burgoyne, W. Bas de Haas, Johan Pauwels

Merged-Output HMM for Piano Fingering of Both Hands.
Eita Nakamura, Nobutaka Ono, Shigeki Sagayama

Modeling Rhythm Similarity for Electronic Dance Music.
Maria Panteli, Niels Bogaards, Aline K. Honingh

MuSe: A Music Recommendation Management System.
Martin Przyjaciel-Zablocki, Thomas Hornung, Alexander Schätzle, Sven Gauß, Io Taxidou, Georg Lausen

Tempo- and Transposition-invariant Identification of Piece and Score Position.
Andreas Arzt, Gerhard Widmer, Reinhard Sonnleitner

Gender Identification and Age Estimation of Users Based on Music Metadata.
Ming-Ju Wu, Jyh-Shing Roger Jang, Chun-Hung Lu

Information-Theoretic Measures of Music Listening Behaviour.
Daniel Boland, Roderick Murray-Smith

Evaluation Framework for Automatic Singing Transcription.
Emilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho

What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?
Julián Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gómez, Xavier Serra

Music Information Behaviors and System Preferences of University Students in Hong Kong.
Xiao Hu, Jin Ha Lee, Leanne Ka Yan Wong

LyricsRadar: A Lyrics Retrieval System Based on Latent Topics of Lyrics.
Shoto Sasaki, Kazuyoshi Yoshii, Tomoyasu Nakano, Masataka Goto, Shigeo Morishima

JAMS: A JSON Annotated Music Specification for Reproducible MIR Research.
Eric J. Humphrey, Justin Salamon, Oriol Nieto, Jon Forsyth, Rachel M. Bittner, Juan Pablo Bello

On The Changing Regulations of Privacy and Personal Information in MIR.
Pierre Saurel, Francis Rousseaux, Marc Danger

A Multi-model Approach to Beat Tracking Considering Heterogeneous Music Styles.
Sebastian Böck, Florian Krebs, Gerhard Widmer

Extending Harmonic-Percussive Separation of Audio Signals.
Jonathan Driedger, Meinard Müller, Sascha Disch

Singing Voice Separation Using Spectro-Temporal Modulation Features.
Frederick Z. Yen, Yin-Jyun Luo, Tai-Shih Chi

Harmonic-Temporal Factor Decomposition Incorporating Music Prior Information for Informed Monaural Source Separation.
Tomohiko Nakamura, Kotaro Shikata, Norihiro Takamune, Hirokazu Kameoka

Design And Evaluation of Onset Detectors using Different Fusion Policies.
Mi Tian, György Fazekas, Dawn A. A. Black, Mark B. Sandler

Evaluating the Evaluation Measures for Beat Tracking.
Matthew E. P. Davies, Sebastian Böck

Improving Rhythmic Transcriptions via Probability Models Applied Post-OMR.
Maura Church, Michael Scott Cuthbert

Classifying EEG Recordings of Rhythm Perception.
Sebastian Stober, Daniel J. Cameron, Jessica A. Grahn

Ten Years of MIREX (Music Information Retrieval Evaluation eXchange): Reflections, Challenges and Opportunities.
J. Stephen Downie, Xiao Hu, Jin Ha Lee, Kahyun Choi, Sally Jo Cunningham, Yun Hao