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ISMIR 2015

Full Proceedings

Papers

Comparative Music Similarity Modelling Using Transfer Learning Across User Groups.
Daniel Wolff, Andrew MacFarlane, Tillman Weyde

Modeling Genre with the Music Genome Project: Comparing Human-Labeled Attributes and Audio Features.
Matthew Prockup, Andreas F. Ehmann, Fabien Gouyon, Erik M. Schmidt, Òscar Celma, Youngmoo E. Kim

Cover Song Identification with Timbral Shape Sequences.
Christopher J. Tralie, Paul Bendich

On the Impact of Key Detection Performance for Identifying Classical Music Styles.
Christof Weiß, Maximilian Schaab

Chord Detection Using Deep Learning.
Xinquan Zhou, Alexander Lerch

Temporal Music Context Identification with User Listening Data.
Cameron Summers, Phillip Popp

Improving Music Recommendations with a Weighted Factorization of the Tagging Activity.
Andreu Vall, Marcin Skowron, Peter Knees, Markus Schedl

An Efficient State-Space Model for Joint Tempo and Meter Tracking.
Florian Krebs, Sebastian Böck, Gerhard Widmer

Automatic Handwritten Mensural Notation Interpreter: From Manuscript to MIDI Performance.
Yu-Hui Huang, Xuanli Chen, Serafina Beck, David Burn, Luc J. Van Gool

Infinite Superimposed Discrete All-Pole Modeling for Multipitch Analysis of Wavelet Spectrograms.
Kazuyoshi Yoshii, Katsutoshi Itoyama, Masataka Goto

Melodic Similarity in Traditional French-Canadian Instrumental Dance Tunes.
Laura Risk, Lillio Mok, Andrew Hankinson, Julie Cumming

A Semantic-Based Approach for Artist Similarity.
Sergio Oramas, Mohamed Sordo, Luis Espinosa Anke, Xavier Serra

Predicting Pairwise Pitch Contour Relations Based on Linguistic Tone Information in Beijing Opera Singing.
Shuo Zhang, Rafael Caro Repetto, Xavier Serra

Song2Quartet: A System for Generating String Quartet Cover Songs from Polyphonic Audio of Popular Music.
Graham Percival, Satoru Fukayama, Masataka Goto

Exploring Data Augmentation for Improved Singing Voice Detection with Neural Networks.
Jan Schlüter, Thomas Grill

Audio Chord Recognition with a Hybrid Recurrent Neural Network.
Siddharth Sigtia, Nicolas Boulanger-Lewandowski, Simon Dixon

Design and Evaluation of a Probabilistic Music Projection Interface.
Beatrix Vad, Daniel Boland, John Williamson, Roderick Murray-Smith, Peter Berg Steffensen

Conceptual Blending in Music Cadences: A Formal Model and Subjective Evaluation.
Asterios I. Zacharakis, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos

Harmonic-Percussive Source Separation Using Harmonicity and Sparsity Constraints.
Jeongsoo Park, Kyogu Lee

A Hierarchical Bayesian Framework for Score-Informed Source Separation of Piano Music Signals.
Wai Man Szeto, Kin Hong Wong

Automatic Tune Family Identification by Musical Sequence Alignment.
Patrick E. Savage, Quentin D. Atkinson

Evaluation of Album Effect for Feature Selection in Music Genre Recognition.
Igor Vatolkin, Günter Rudolph, Claus Weihs

Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio Representations.
Cheng-i Wang, Jennifer Hsu, Shlomo Dubnov

Automatic Solfège Assessment.
Rodrigo Schramm, Helena de Souza Nunes, Cláudio Rosito Jung

Evaluating Conflict Management Mechanisms for Online Social Jukeboxes.
Felipe Vieira, Nazareno Andrade

Particle Filters for Efficient Meter Tracking with Dynamic Bayesian Networks.
Ajay Srinivasamurthy, Andre Holzapfel, Ali Taylan Cemgil, Xavier Serra

Analysis of the Evolution of Research Groups and Topics in the ISMIR Conference.
Mohamed Sordo, Mitsunori Ogihara, Stefan Wuchty

A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner’s Ring Cycle.
Kevin R. Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, David M. Weigl, Richard Lewis, Laurence Dreyfus, David De Roure

Selective Acquisition Techniques for Enculturation-Based Melodic Phrase Segmentation.
Marcelo E. Rodríguez-López, Anja Volk

Corpus Analysis Tools for Computational Hook Discovery.
Jan Van Balen, John Ashley Burgoyne, Dimitrios Bountouridis, Daniel Müllensiefen, Remco C. Veltkamp

Large-Scale Content-Based Matching of MIDI and Audio Files.
Colin Raffel, Daniel P. W. Ellis

Improving Genre Annotations for the Million Song Dataset.
Hendrik Schreiber

A Software Framework for Musical Data Augmentation.
Brian McFee, Eric J. Humphrey, Juan Pablo Bello

Drum Transcription Using Partially Fixed Non-Negative Matrix Factorization with Template Adaptation.
Chih-Wei Wu, Alexander Lerch

Beat and Downbeat Tracking Based on Rhythmic Patterns Applied to the Uruguayan Candombe Drumming.
Leonardo O. Nunes, Martín Rocamora, Luis Jure, Luiz W. P. Biscainho

Automated Estimation of Ride Cymbal Swing Ratios in Jazz Recordings.
Christian Dittmar, Martin Pfleiderer, Meinard Müller

Musical Offset Detection of Pitched Instruments: The Case of Violin.
Che-Yuan Liang, Li Su, Yi-Hsuan Yang, Hsin-Ming Lin

Specter: Combining Music Information Retrieval with Sound Spatialization.
Bill Z. Manaris, Seth Stoudenmier

Content-Aware Collaborative Music Recommendation Using Pre-trained Neural Networks.
Dawen Liang, Minshu Zhan, Daniel P. W. Ellis

Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach.
Cynthia C. S. Liem, Alan Hanjalic

Monaural Blind Source Separation in the Context of Vocal Detection.
Bernhard Lehner, Gerhard Widmer

Detection of Common Mistakes in Novice Violin Playing.
Yin-Jyun Luo, Li Su, Yi-Hsuan Yang, Tai-Shih Chi

Probabilistic Modular Bass Voice Leading in Melodic Harmonisation.
Dimos Makris, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos

An Iterative Multi Range Non-Negative Matrix Factorization Algorithm for Polyphonic Music Transcription.
Anis Khlif, Vidhyasaharan Sethu

Training Phoneme Models for Singing with “Songified” Speech Data.
Anna M. Kruspe

Graph-Based Rhythm Interpretation.
Rong Jin, Christopher Raphael

Let it Bee – Towards NMF-Inspired Audio Mosaicing.
Jonathan Driedger, Thomas Prätzlich, Meinard Müller

Real-Time Music Tracking Using Multiple Performances as a Reference.
Andreas Arzt, Gerhard Widmer

Two Data Sets for Tempo Estimation and Key Detection in Electronic Dance Music Annotated from User Corrections.
Peter Knees, Ángel Faraldo, Perfecto Herrera, Richard Vogl, Sebastian Böck, Florian Hörschläger, Mickael Le Goff

Towards Support for Understanding Classical Music: Alignment of Content Descriptions on the Web.
Taku Kuribayashi, Yasuhito Asano, Masatoshi Yoshikawa

FlaBase: Towards the Creation of a Flamenco Music Knowledge Base.
Sergio Oramas, Francisco Gómez, Emilia Gómez, Joaquín Mora

Discovery of Syllabic Percussion Patterns in Tabla Solo Recordings.
Swapnil Gupta, Ajay Srinivasamurthy, Manoj Kumar P. A., Hema A. Murthy, Xavier Serra

Autoregressive Hidden Semi-Markov Model of Symbolic Music Performance for Score Following.
Eita Nakamura, Philippe Cuvillier, Arshia Cont, Nobutaka Ono, Shigeki Sagayama

Automatic Mashup Creation by Considering both Vertical and Horizontal Mashabilities.
Chuan-Lung Lee, Yin-Tzu Lin, Zun-Ren Yao, Feng-Yi Lee, Ja-Ling Wu

Hierarchical Evaluation of Segment Boundary Detection.
Brian McFee, Oriol Nieto, Juan Pablo Bello

Improving MIDI Guitar’s Accuracy with NMF and Neural Net.
Masaki Otsuka, Tetsuro Kitahara

Analysis of Intonation Trajectories in Solo Singing.
Jiajie Dai, Matthias Mauch, Simon Dixon

Evaluating the General Chord Type Representation in Tonal Music and Organising GCT Chord Labels in Functional Chord Categories.
Maximos A. Kaliakatsos-Papakostas, Asterios I. Zacharakis, Costas Tsougras, Emilios Cambouropoulos

Beat Histogram Features from NMF-Based Novelty Functions for Music Classification.
Athanasios Lykartsis, Chih-Wei Wu, Alexander Lerch

Music Shapelets for Fast Cover Song Recognition.
Diego Furtado Silva, Vinícius M. A. de Souza, Gustavo E. A. P. A. Batista

Improving Score-Informed Source Separation for Classical Music through Note Refinement.
Marius Miron, Julio José Carabias-Orti, Jordi Janer

In Their Own Words: Using Text Analysis to Identify Musicologists’ Attitudes towards Technology.
Charles Inskip, Frans Wiering

Combining Features for Cover Song Identification.
Julien Osmalskyj, Peter Foster, Simon Dixon, Jean-Jacques Embrechts

Score Following for Piano Performances with Sustain-Pedal Effects.
Bochen Li, Zhiyao Duan

Understanding Users of Commercial Music Services through Personas: Design Implications.
Jin Ha Lee, Rachel Price

Corpus-Based Rhythmic Pattern Analysis of Ragtime Syncopation.
Hendrik Vincent Koops, Anja Volk, W. Bas de Haas

Comparing Voice and Stream Segmentation Algorithms.
Nicolas Guiomard-Kagan, Mathieu Giraud, Richard Groult, Florence Levé

Melody Extraction by Contour Classification.
Rachel M. Bittner, Justin Salamon, Slim Essid, Juan Pablo Bello

Comparison of the Singing Style of Two Jingju Schools.
Rafael Caro Repetto, Rong Gong, Nadine Kroher, Xavier Serra

Improving Optical Music Recognition by Combining Outputs from Multiple Sources.
Victor Padilla, Alex McLean, Alan Marsden, Kia Ng

Relating Natural Language Text to Musical Passages.
Richard F. E. Sutcliffe, Tim Crawford, Chris Fox, Deane L. Root, Eduard H. Hovy, Richard Lewis

Music Boundary Detection Using Neural Networks on Combined Features and Two-Level Annotations.
Thomas Grill, Jan Schlüter

Neuroimaging Methods for Music Information Retrieval: Current Findings and Future Prospects.
Blair Kaneshiro, Jacek P. Dmochowski

Improving Visualization of High-Dimensional Music Similarity Spaces.
Arthur Flexer

I-Vectors for Timbre-Based Music Similarity and Music Artist Classification.
Hamid Eghbal-zadeh, Bernhard Lehner, Markus Schedl, Gerhard Widmer

Correlating Extracted and Ground-Truth Harmonic Data in Music Retrieval Tasks.
Dylan Freedman, Eddie Kohler, Hans Tutschku

Classical Music on the Web – User Interfaces and Data Representations.
Martin Gasser, Andreas Arzt, Thassilo Gadermaier, Maarten Grachten, Gerhard Widmer

A Statistical View on the Expressive Timing of Piano Rolled Chords.
Mutian Fu, Guangyu Xia, Roger B. Dannenberg, Larry A. Wasserman

Hybrid Long- and Short-Term Models of Folk Melodies.
Srikanth Cherla, Son N. Tran, Tillman Weyde, Artur S. d’Avila Garcez

Efficient Melodic Query Based Audio Search for Hindustani Vocal Compositions.
Kaustuv Kanti Ganguli, Abhinav Rastogi, Vedhas Pandit, Prithvi Kantan, Preeti Rao

Modified Perceptual Linear Prediction Liftered Cepstrum (MPLPLC) Model for Pop Cover Song Recognition.
Ning Chen, J. Stephen Downie, Haidong Xiao, Yu Zhu, Jie Zhu

Raga Verification in Carnatic Music Using Longest Common Segment Set.
Shrey Dutta, Krishnaraj Sekhar PV, Hema A. Murthy

Instrument Identification in Optical Music Recognition.
Yucong Jiang, Christopher Raphael

Cross-Version Singing Voice Detection in Classical Opera Recordings.
Christian Dittmar, Bernhard Lehner, Thomas Prätzlich, Meinard Müller, Gerhard Widmer

Accurate Tempo Estimation Based on Recurrent Neural Networks and Resonating Comb Filters.
Sebastian Böck, Florian Krebs, Gerhard Widmer

Musicology of Early Music with Europeana Tools and Services.
Erik Duval, Marnix van Berchum, Anja Jentzsch, Gonzalo Alberto Parra Chico, Andreas Drakos

Singing Voice Separation from Monaural Music Based on Kernel Back-Fitting Using Beta-Order Spectral Amplitude Estimation.
Hye-Seung Cho, Jun-Yong Lee, Hyoung-Gook Kim

Schematizing the Treatment of Dissonance in 16th-Century Counterpoint.
Andie Sigler, Jon Wild, Eliot Handelman

Predictive Power of Personality on Music-Genre Exclusivity.
Jotthi Bansal, Matthew Woolhouse

A Comparison of Symbolic Similarity Measures for Finding Occurrences of Melodic Segments.
Berit Janssen, Peter van Kranenburg, Anja Volk

PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances.
Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera

Four Timely Insights on Automatic Chord Estimation.
Eric J. Humphrey, Juan Pablo Bello

Improving Melodic Similarity in Indian Art Music Using Culture-Specific Melodic Characteristics.
Sankalp Gulati, Joan Serrà, Xavier Serra

Searching Lyrical Phrases in A-Capella Turkish Makam Recordings.
Georgi Dzhambazov, Sertan Sentürk, Xavier Serra

Quantifying Lexical Novelty in Song Lyrics.
Robert J. Ellis, Zhe Xing, Jiakun Fang, Ye Wang

An Efficient Temporally-Constrained Probabilistic Model for Multiple-Instrument Music Transcription.
Emmanouil Benetos, Tillman Weyde

Electric Guitar Playing Technique Detection in Real-World Recording Based on F0 Sequence Pattern Recognition.
Yuan-Ping Chen, Li Su, Yi-Hsuan Yang

Extending a Model of Monophonic Hierarchical Music Analysis to Homophony.
Phillip B. Kirlin, David L. Thomas

The MIR Perspective on the Evolution of Dynamics in Mainstream Music.
Emmanuel Deruty, François Pachet

Theme And Variation Encodings with Roman Numerals (TAVERN): A New Data Set for Symbolic Music Analysis.
Johanna Devaney, Claire Arthur, Nathaniel Condit-Schultz, Kirsten Nisula

Benford’s Law for Music Analysis.
Isabel Barbancho, Lorenzo J. Tardón, Ana M. Barbancho, Mateu Sbert

An Audio to Score Alignment Framework Using Spectral Factorization and Dynamic Time Warping.
Julio José Carabias-Orti, Francisco J. Rodríguez-Serrano, Pedro Vera-Candeas, Nicolás Ruiz-Reyes, Francisco J. Cañadas-Quesada

New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools.
Daniel Matz, Estefanía Cano, Jakob Abeßer

Automatic Transcription of Ornamented Irish Traditional Flute Music Using Hidden Markov Models.
Peter Jancovic, Münevver Köküer, Wrena Baptiste

Towards Music Imagery Information Retrieval: Introducing the OpenMIIR Dataset of EEG Recordings from Music Perception and Imagination.
Sebastian Stober, Avital Sternin, Adrian M. Owen, Jessica A. Grahn

Emotion Based Segmentation of Musical Audio.
Anna Aljanaki, Frans Wiering, Remco C. Veltkamp

MIREX Grand Challenge 2014 User Experience: Qualitative Analysis of User Feedback.
Jin Ha Lee, Xiao Hu, Kahyun Choi, J. Stephen Downie

AcousticBrainz: A Community Platform for Gathering Music Information Obtained from Audio.
Alastair Porter, Dmitry Bogdanov, Robert Kaye, Roman Tsukanov, Xavier Serra

How Music Alters Decision Making – Impact of Music Stimuli on Emotional Classification.
Elad Liebman, Peter Stone, Corey N. White

Put the Concert Attendee in the Spotlight. A User-Centered Design and Development Approach for Classical Concert Applications.
Mark S. Melenhorst, Cynthia C. S. Liem

Analysis of Expressive Musical Terms in Violin Using Score-Informed and Expression-Based Audio Features.
Pei-Ching Li, Li Su, Yi-Hsuan Yang, Alvin W. Y. Su

Spectral Learning for Expressive Interactive Ensemble Music Performance.
Guangyu Xia, Yun Wang, Roger B. Dannenberg, Geoffrey Gordon

Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos.
Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach